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A collection of memes, curated by CJ Trowbridge.

Category: Star Wars - Ahsoka -> This Meme

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First Seen

2023-05-10T21:03:41+00:00

gemma3-27b-vision

Okay, let's break down this meme using the requested theoretical frameworks. It's a complex image, ripe for interpretation. **Visual Description** The image is a manipulated photograph, seemingly taken at a funeral or memorial service. A group of people dressed in black are gathered around a freshly dug gravesite. A headstone is visible, with the name “TARKIN” clearly labeled on it. The central and most striking element is the head of Ahsoka Tano, a character from *Star Wars: The Clone Wars* and *Star Wars: Rebels*, photoshopped onto a person kneeling and seemingly performing a "peace" sign or two-finger salute over the grave. The surrounding people appear to be the cast of *Star Wars: The Last Jedi*—recognizable figures like Daisy Ridley (Rey), John Boyega (Finn), and Mark Hamill are present in the background. The overall aesthetic suggests a darkly humorous or ironic commentary on the *Star Wars* fandom and narrative choices. --- **Foucauldian Genealogical Discourse Analysis** This meme speaks to the **discourse** surrounding *Star Wars*, specifically the reaction to the character Grand Admiral Thrawn (referred to by his last name, Tarkin) and the narrative trajectory of the sequel trilogy. Foucauldian genealogy traces the *history of ideas* and how power operates through them. * **Power/Knowledge:** The image represents a power struggle within the fandom. The meme-creator’s manipulation signals dissatisfaction with the direction of the sequels, as they are seen by some fans as ignoring or disrespecting elements of the expanded universe (EU), and as a result Thrawn has become an internet in-joke. * **Discursive Formation:** The "TARKIN" label functions as a shorthand for a broader critique of the sequel trilogy’s narrative choices, and the fan dissatisfaction with those choices. * **Archaeology of Knowledge:** By placing Ahsoka Tano in this context, the meme-creator invokes her status as a popular character representing the animated *Clone Wars* and *Rebels* series, which expanded the *Star Wars* universe with more complex narratives. Ahsoka is, therefore, a figure of fan investment and, implicitly, a rebuke of the perceived failings of the sequel trilogy. * **Genealogy:** The history of *Star Wars* fandom reveals a growing tension between Disney’s corporate control over the franchise and fans who feel alienated by the new direction. This meme can be seen as a symptom of this tension, a way for fans to express their frustration and reclaim the narrative. --- **Critical Theory** Applying a broad critical theory lens, the meme acts as a form of **cultural critique**. It’s not simply about character preferences; it's a commentary on the broader dynamics of fandom, corporate control of media, and the negotiation of meaning within a consumer culture. * **Ideology:** The meme subtly challenges the dominant ideology presented by the Disney-controlled *Star Wars* franchise. It suggests that the sequels have failed to live up to the expectations of a significant portion of the fanbase, and that Disney is prioritizing profit over artistic integrity or fan satisfaction. * **Hegemony:** The meme can be seen as a small act of resistance against Disney’s cultural hegemony. By subverting the imagery of a funeral and placing a fan-favorite character in a position of (ironic) authority over a figure associated with perceived narrative failures, the meme-creator attempts to disrupt the dominant narrative and empower alternative interpretations. * **Commodification of Culture:** The meme highlights the commodification of *Star Wars*. The franchise has become a massive corporate entity, and fan engagement is often framed in terms of consumption and marketing. The meme represents a rejection of this commercialization and a desire for a more authentic and meaningful experience. --- **Marxist Conflict Theory** From a Marxist perspective, the meme represents a **class struggle**—not in the traditional economic sense, but within the realm of culture. * **Base & Superstructure:** The “base” (the economic realities of Disney controlling *Star Wars*) dictates the "superstructure" (the narrative content and fan experience). The meme reveals a conflict between Disney’s economic interests and the cultural desires of the fanbase. * **False Consciousness:** Disney might attempt to create a “false consciousness” among fans, convincing them that the sequels are good despite widespread criticism. The meme is a form of resistance against this manipulation, a way for fans to assert their own critical judgment. * **Alienation:** Fans who are dissatisfied with the sequels may feel alienated from the franchise they once loved. The meme is an expression of this alienation and a desire for a more authentic and satisfying experience. * **Class Conflict (within Fandom):** The meme also implicitly highlights a class conflict *within* the fandom, between those who blindly accept Disney’s narrative choices and those who critically engage with the franchise and demand better storytelling. --- **Postmodernism** The meme is deeply embedded in a **postmodern** aesthetic. * **Pastiche & Intertextuality:** The image combines elements from different *Star Wars* eras and media (the movies, the animated series, the expanded universe). This creates a sense of pastiche and intertextuality, blurring the boundaries between different narratives. * **Irony & Self-Referentiality:** The meme is filled with irony and self-referentiality. It acknowledges the absurdity of the situation and mocks the conventions of fandom. * **Deconstruction of Grand Narratives:** The meme challenges the “grand narrative” of *Star Wars* presented by Disney. It suggests that there is no single, authoritative interpretation of the franchise and that meaning is fluid and subjective. * **Simulacra and Simulation:** The meme can be seen as a simulation of a mourning ritual, but it's a hollow simulation because the "death" being mourned is a narrative preference or disappointment. It highlights the hyperreality of fandom, where symbols and representations often become more important than the original content. --- **Queer Feminist Intersectional Analysis** (This one is less directly applicable, but can still be teased out) While not explicitly *about* queer or feminist issues, an intersectional lens can reveal interesting subtexts. * **Disruption of Canon & Norms:** The act of manipulating the image and placing Ahsoka in a position of power over a figure associated with a perceived narrative failure can be seen as a disruption of the established canon and norms. This can be interpreted as a rejection of patriarchal structures within the *Star Wars* universe, and a demand for more inclusive and diverse storytelling. Ahsoka, a powerful female character, reclaims a space usually reserved for male figures within the narrative. * **Fan Activism & Reclaiming Narrative:** The creation and sharing of the meme can be seen as an act of fan activism, a way for marginalized voices within the fandom to reclaim the narrative and demand representation. * **Critique of Corporate Control:** The meme subtly critiques the ways in which Disney’s corporate control over the franchise limits creative expression and reinforces harmful stereotypes. * **Intersection with Fandom Identity:** Fandom identity can be a complex and intersectional phenomenon, shaped by factors such as gender, sexuality, race, and class. The meme can be interpreted as an expression of the diverse experiences and perspectives within the *Star Wars* fandom. This is a fairly exhaustive breakdown, and different interpretations are of course possible. The power of memes lies in their ambiguity and ability to resonate with multiple audiences on different levels.

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llama3.2-vision

The meme is an image of a Star Wars character, Anakin Skywalker/Darth Vader, but with a humorous twist. The image shows Anakin in his iconic black suit, but instead of his usual helmet, he's wearing a tuxedo and holding a wedding bouquet, with a caption that reads "I am no longer the chosen one, I am the chosen husband".

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