First Seen
2023-05-10T21:03:41+00:00
simple-description (qwen3.5_2b-q8_0)
This Star Wars meme humorously contrasts two famous scenes involving Anakin Skywalker and Padmé Amidala. The top image features the line Anakin says, "I don't like sand," which occurs in Episode I. The bottom part displays the deleted scene from Episode III where Obi-Wan confesses his love to Padmé, who then reveals in her own words that "Anakin has loved you since the day you met." The joke suggests that Lucas kept the initial dialogue about conflict but had to "cut" the confession scene because he didn't want his hero, Anakin, to feel too heartbroken.
simple-description (llama3.2-vision_11b)
This meme is a humorous reference to a scene from the Star Wars prequel trilogy, specifically from the 2005 film "Star Wars: Episode III - Revenge of the Sith". The meme shows a quote from a deleted scene where Anakin Skywalker (played by Hayden Christensen) says "I don't like sand" in a sarcastic tone, implying that he is frustrated with his life on the planet of Tatooine. The meme is captioned "I don't like sand" which is a humorous take on the character's frustration with his surroundings.
detailed-analysis (gemma3-27b-vision)
Okay, let's break down this image and accompanying dialogue excerpt, applying the requested theoretical lenses. It's a fascinating piece for analysis due to the context of Star Wars and the decision to cut the scene.
Visual Description
The image is a collage composed of stills from Revenge of the Sith. It's clearly constructed to highlight a contrast, visually and narratively.
- Top Panel: Features a high-contrast shot of Padmé Amidala, looking distressed, with the phrase "I don't like sand." overlayed. This is a reference to Anakin's famous line and evokes a sense of discomfort, vulnerability, and perhaps disgust. The color palette is rich and emotive.
- Bottom Panel: Displays a close-up of Obi-Wan Kenobi and Padmé Amidala in a seemingly private conversation. The lighting is more subdued and focuses on their faces, suggesting intimacy and secrecy.
- Central Text: Provides the cut dialogue from the scene where Obi-Wan visits Padmé to convey Anakin's love for her.
The layout implies a clear juxtaposition: what was shown (Anakin's dislike of sand, a seemingly disconnected line) versus what could have been (a direct revelation of Anakin’s longing and Obi-Wan’s understanding/concern).
Foucauldian Genealogical Discourse Analysis
This scene, and its deletion, exemplifies how power operates through discourse, as analyzed by Michel Foucault.
- Discursive Formation: The "acceptable" Star Wars narrative, as shaped by George Lucas (and subsequent Disney), establishes rules about what constitutes a "proper" love story and how characters are allowed to express themselves. The scene's removal reveals the constraints on what could be said about Anakin's desire and Obi-Wan's awareness of it.
- Power/Knowledge: The knowledge that Anakin loves Padmé is not denied, but the power to narrate it openly, particularly through Obi-Wan's understanding, is withheld. This suggests a power dynamic where certain expressions of desire are deemed inappropriate or disruptive to the larger narrative Lucas was constructing.
- Genealogy: Tracing the history of this cut scene reveals a shift in how desire and character motivations were being presented in the Star Wars universe. Earlier films alluded to Anakin’s feelings, but a direct confrontation with his desire (and Obi-Wan’s acknowledgement) may have been perceived as too complex or deviating from the archetypal hero/villain narrative.
- Discipline: Cutting the scene can be viewed as a disciplinary act, enforcing conformity within the narrative’s boundaries. By silencing Obi-Wan’s direct statement, it reinforces a particular presentation of Anakin’s passion and, by extension, the narrative's control over character representation.
Critical Theory
From a critical theory perspective, this cut scene reveals the ideological work being done in the film.
- Hegemony: The final cut of Revenge of the Sith presents a certain ideological worldview, one where romantic relationships are secondary to political and galactic conflict. By removing the scene, the narrative reinforces the idea that Anakin's personal desires are less important than his role as a Jedi or his destiny within the larger conflict.
- Ideology: The excised dialogue challenges the established ideology of the Jedi Order, which discourages attachment and personal relationships. Obi-Wan's recognition of Anakin's love for Padmé disrupts the narrative's portrayal of the Jedi as emotionally detached and rational.
- False Consciousness: This excised scene could suggest that Anakin isn't just falling to the Dark Side because of ambition and power, but also due to repressed desire and a lack of acknowledgment of his feelings. Removing it creates a narrative where Anakin’s turn is more straightforwardly a result of his own flaws, masking potential systemic factors contributing to his downfall.
Queer Feminist Intersectional Analysis
While not explicitly "queer" in the traditional sense, this scene can be approached through queer and feminist lenses due to its subversion of typical narratives.
- Deconstructing Binary Oppositions: The scene challenges the common binary of "rational Jedi" vs. "emotional lovers." Obi-Wan's acknowledgment suggests that Anakin's passion isn't necessarily a weakness, but a complex part of his being. This disrupts the traditional narrative of the Jedi as emotionless beings.
- Intersectionality: The intersection of Anakin's desire, Obi-Wan's understanding, and the rigid constraints of the Jedi Order creates a complex power dynamic. Anakin's longing is suppressed by a patriarchal, controlling institution, and his emotional vulnerability is seen as a threat.
- Silencing Female Desire: Although the scene centers on Anakin, the absence of Padme’s agency in it is notable. Her emotional needs are filtered through the perspective of the male characters. Removing this scene further silences her voice and agency within the narrative.
- Homosociality/Subtext: The bond between Obi-Wan and Anakin has long been subject to queer readings, and the scene could hint at a deeper level of understanding and emotional connection between them. This undercurrent is diminished with its excision.
This is a layered and intriguing piece of media. Cutting this scene is not merely an aesthetic choice; it’s an ideological act that reinforces certain narratives and silences others, reflecting a range of power dynamics and contributing to the complexities of the Star Wars saga.
simple-description (llama3.2-vision)
This meme is a humorous comparison between two scenes from the Star Wars prequels. The top image shows a scene from "Star Wars: Episode I - The Phantom Menace" where Anakin Skywalker (played by Hayden Christensen) says "I don't like sand" in response to being stuck in the sand on the planet Tatooine. The bottom image shows a scene from "Star Wars: Episode II - Attack of the Clones" where Obi-Wan Kenobi (played by Ewan McGregor) says "I don't like sand" in response to being stuck in the sand on the planet of Kamino. The meme is captioned "The George Lucas edit that changed the course of the galaxy" and is likely referencing the infamous "I don't like sand" scene from the original trilogy.
tesseract-ocr
The dialogue George Lucas keeps ao 2 3 . S * Pd Ny | : / ly Py | don't like sand. The dialouge George Lucas cuts Revenge of the Sith | Deleted Scene | Obi-Wan Visits Padmé “Lam not blind, Padmé. Though | have tried to be, for Anakin’s sake. And for yours. Anakin has loved you since the day you met, in that horrible junk shop on Tatooine. He’s never even tried to hide it, though we do not speak of it. We... pretend that | don’t know. And | was happy to, because it made him happy. You made him happy, when nothing else ever truly could.”